gon

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[–] gon@lemm.ee 5 points 10 months ago

so cuuuute >////<

[–] gon@lemm.ee 12 points 10 months ago

It really might be your kidneys. Do you feel it in your spine or more to the side?

You could also try and do some stretches everyday.

[–] gon@lemm.ee 4 points 10 months ago

Not sure that's right.

Mind you, I fully agree with you on Bluesky, but I think Threads really isn't much different.

For example, say this integration is fully accomplished. Fediverse users wouldn't have a real reason to switch to Threads, but because Threads is a much larger platform all future users are gonna go there, and not to the rest of the Fediverse. That, already, I think is an issue. Then, because it's a bigger platform, most communities are gonna start to be populated mostly by Threads users - simply because numbers rule. The 2nd E comes into play: extend. The protocols are extended. At first, it might not be enough to switch - just some quality of life changes, maybe - but the more stuff is added, the more the experience for the Threads users - aka, the majority of the users on any given community on the Fediverse - starts to diverge from the rest of the users. Now, at this point, a Fediverse user has two choices: either ignore this, or switch. Sure, many will just ignore it - the people on the Fediverse right now are the kind of people that would tend to ignore that, anyway - but plenty won't, because it's SOCIAL media. SOCIAL! If your experience differs significantly from your peers, that will bother you, and you will want to change, especially if you're in the crushing minority.

Embrace, extend, extinguish.

Hey, maybe I'm wrong! Hopefully, even. However, I do see it happening. Hope I got my point across.

[–] gon@lemm.ee 8 points 10 months ago

It's only EEE if it's an entity that could be reasonable expected to do it.

Sure, Piefed could adopt ActivityPub, extend it with proprietary capabilities, and then use that to strongly disadvantage its competitors. However, Piefed is a fully open-source project without ads or any money-making aspect at all, started by some random dude from New Zealand. Not exactly prime EEE grounds, you know?

[–] gon@lemm.ee 15 points 10 months ago (8 children)
[–] gon@lemm.ee 9 points 10 months ago

This is awesome :D

[–] gon@lemm.ee 5 points 10 months ago

Ah, good joke I think!

[–] gon@lemm.ee 1 points 10 months ago (7 children)

Oh, thanks, I didn't know about that comm!

Let me know if you want to add !mediareviews@lemmy.world to the sidebar

Sure, you can add it, thanks :D

[–] gon@lemm.ee 2 points 10 months ago (9 children)

I actually decided to watch Mulan because I had been listening to "I'll Make a Man Out of You" on repeat for days! It's sooooo good!!!

 

cross-posted from: https://lemm.ee/post/66445706

Recently, I watched both Mulan (1998) and The Iron Giant (1999), and I feel like these movies show two extremes of animation, in a way. As such, I felt like talking about them, a little bit.

First, I'll tell you where I stand on both, individually: I think Mulan is mediocre and The Iron Giant is a masterpiece.

Maybe on the surface, both these movies might not appear to have that much in common, other than having come out at about the same time, but I think they're actually similar, in a way. They both center the idea of breaking out from a mold, of going beyond expectations and cracking open social norms, even overcoming great discrimination and severe resistance.

In Mulan's case, we have a young lady living in a world where the expectations for a woman, or rather, what the world demands of a woman is to be pretty and bear children. War is a man's business, so much so that the simple thought that a woman might participate in the war is outrageous, and the act is akin to sin and very much illegal, worthy of the death-penalty, no less.

As for The Iron Giant, we have a living weapon that chooses not to be one anymore. People aren't just wary, they're scared, and they react violently, being ready to obliterate it at a moment's notice. The army is mobilized, nuclear missiles are launched!

Our two hero's - though, in The Iron Giant's case, the protagonist is actually Hogarth, not the giant himself - both struggle and succeed in proving to the world that they're more than what they're told they are. Yet, one comes off as bland and uninspired, while the other is a magnificent cornucopia of emotional depth and intense characters.

Why is that?

Well, many things.

I'd like to highlight what I think is perhaps the most jarring difference between these two movies: the villain, or rather, the main antagonist.

In Mulan's case, that is Shan Yu, the Hun. He's violent and ruthless, as well as immensely powerful and terrifying. There, you know everything there is to know about Shan Yu. Another antagonist is the counsel of the emperor, Chi-fu. He, at least, isn't strictly evil either - he does what he thinks is right for his people - but he's also just an asshole. He's a talking caricature. A joke. He wields power, and is therefore a danger to Mulan's objectives, considering he's strongly opposed to her being in the army and being a pompous prick.

However, here's the thing with Chi-Fu: being a misogynist isn't special in this universe. Mulan's dad, while incredibly loving, also feels the same way about her being in the army. Sure, he loves her and doesn't want harm to come to her, but there's nothing in the movie that indicates he would've allowed her to go if her safety was guaranteed or something. It was simply, "not her place." Li Shang is the same! Even after Mulan saves his life, he doesn't change. Sure, a seedling of change may have been sown in his mind, but he disregards her warnings regardless.

The Iron Giant, on the other hand, doesn't have a villain. There's an antagonist, sure, Kent Mansley, but he's not evil. He's not violent, ruthless, immensely powerful, or terrifying. As a matter of fact, he's good. The government, as a whole, is also an antagonist, but it acts more as a force wielded by Kent which even then resists his misguided actions when the truth reveals itself.

The Iron Giant is set in 1957, during the cold war. People are scared - terrified, even - and Kent is no exception. We see what the kids learn in school through Hogarth, learning to hide under their desks to miraculously survive a nuclear strike... And then, an iron giant falls from the sky and starts eating cars! Kent definitely makes mistakes, and from our perspective - understanding the true nature of the giant - it seems that what he's doing is rather stupid and misguided. However, is it even? He wants to protect everyone! He just wants people to be safe, and he's a victim of the paranoia. He goes too far and lies, he exerts too much power, power he was not entitled to or ready to wield, and that led to terrible consequences, but he never aimed to harm. He wasn't a mindless, one-dimensional murderer. He was a civil servant trying to serve the public. His crime is fear and rashness.

Now, don't get me wrong. Misogyny isn't logical, so it does make sense that the character's aren't necessarily logical in their approach to it. It's about social norms, things that are taken for granted and left unquestioned. It makes sense that Mulan's struggle isn't just with the system, but with the unbending minds of those shaped by said system. However, I would mention that Mushu doesn't seem to have much of an issue with it, though he is painted as a bit of a cook and an outsider... Still, the antagonistic forces, the barriers that she overcomes are just that: they're barriers. Mindless barriers. The Iron Giant's antagonists aren't that at all, they're people. They're beings that have goals and objectives that go beyond "conquer China because me conquer" and "women weak because women."

There's a lot to both these movies, really, but that alone is enough to firmly place them on two very different tiers of animation.

Really, I found myself enraptured by every character in The Iron Giant maybe a thousand times more than any character in Mulan. Even Earl Stutz, the crazy fisherman, is more interesting than Mulan's companions. He, at least, tries to do something, instead of being comedy relief. He must have, what, 3 minutes of screen time? Maybe.

Overall, I feel like Mulan is populated by single-minded husks that sometimes say something funny and hit some notes, while The Iron Giant is a living and breathing world.

Brad Bird, I'm single.

But what do you think?


Mulan: 3/5
The Iron Giant: 5/5

 

cross-posted from: https://lemm.ee/post/66445706

Recently, I watched both Mulan (1998) and The Iron Giant (1999), and I feel like these movies show two extremes of animation, in a way. As such, I felt like talking about them, a little bit.

First, I'll tell you where I stand on both, individually: I think Mulan is mediocre and The Iron Giant is a masterpiece.

Maybe on the surface, both these movies might not appear to have that much in common, other than having come out at about the same time, but I think they're actually similar, in a way. They both center the idea of breaking out from a mold, of going beyond expectations and cracking open social norms, even overcoming great discrimination and severe resistance.

In Mulan's case, we have a young lady living in a world where the expectations for a woman, or rather, what the world demands of a woman is to be pretty and bear children. War is a man's business, so much so that the simple thought that a woman might participate in the war is outrageous, and the act is akin to sin and very much illegal, worthy of the death-penalty, no less.

As for The Iron Giant, we have a living weapon that chooses not to be one anymore. People aren't just wary, they're scared, and they react violently, being ready to obliterate it at a moment's notice. The army is mobilized, nuclear missiles are launched!

Our two hero's - though, in The Iron Giant's case, the protagonist is actually Hogarth, not the giant himself - both struggle and succeed in proving to the world that they're more than what they're told they are. Yet, one comes off as bland and uninspired, while the other is a magnificent cornucopia of emotional depth and intense characters.

Why is that?

Well, many things.

I'd like to highlight what I think is perhaps the most jarring difference between these two movies: the villain, or rather, the main antagonist.

In Mulan's case, that is Shan Yu, the Hun. He's violent and ruthless, as well as immensely powerful and terrifying. There, you know everything there is to know about Shan Yu. Another antagonist is the counsel of the emperor, Chi-fu. He, at least, isn't strictly evil either - he does what he thinks is right for his people - but he's also just an asshole. He's a talking caricature. A joke. He wields power, and is therefore a danger to Mulan's objectives, considering he's strongly opposed to her being in the army and being a pompous prick.

However, here's the thing with Chi-Fu: being a misogynist isn't special in this universe. Mulan's dad, while incredibly loving, also feels the same way about her being in the army. Sure, he loves her and doesn't want harm to come to her, but there's nothing in the movie that indicates he would've allowed her to go if her safety was guaranteed or something. It was simply, "not her place." Li Shang is the same! Even after Mulan saves his life, he doesn't change. Sure, a seedling of change may have been sown in his mind, but he disregards her warnings regardless.

The Iron Giant, on the other hand, doesn't have a villain. There's an antagonist, sure, Kent Mansley, but he's not evil. He's not violent, ruthless, immensely powerful, or terrifying. As a matter of fact, he's good. The government, as a whole, is also an antagonist, but it acts more as a force wielded by Kent which even then resists his misguided actions when the truth reveals itself.

The Iron Giant is set in 1957, during the cold war. People are scared - terrified, even - and Kent is no exception. We see what the kids learn in school through Hogarth, learning to hide under their desks to miraculously survive a nuclear strike... And then, an iron giant falls from the sky and starts eating cars! Kent definitely makes mistakes, and from our perspective - understanding the true nature of the giant - it seems that what he's doing is rather stupid and misguided. However, is it even? He wants to protect everyone! He just wants people to be safe, and he's a victim of the paranoia. He goes too far and lies, he exerts too much power, power he was not entitled to or ready to wield, and that led to terrible consequences, but he never aimed to harm. He wasn't a mindless, one-dimensional murderer. He was a civil servant trying to serve the public. His crime is fear and rashness.

Now, don't get me wrong. Misogyny isn't logical, so it does make sense that the character's aren't necessarily logical in their approach to it. It's about social norms, things that are taken for granted and left unquestioned. It makes sense that Mulan's struggle isn't just with the system, but with the unbending minds of those shaped by said system. However, I would mention that Mushu doesn't seem to have much of an issue with it, though he is painted as a bit of a cook and an outsider... Still, the antagonistic forces, the barriers that she overcomes are just that: they're barriers. Mindless barriers. The Iron Giant's antagonists aren't that at all, they're people. They're beings that have goals and objectives that go beyond "conquer China because me conquer" and "women weak because women."

There's a lot to both these movies, really, but that alone is enough to firmly place them on two very different tiers of animation.

Really, I found myself enraptured by every character in The Iron Giant maybe a thousand times more than any character in Mulan. Even Earl Stutz, the crazy fisherman, is more interesting than Mulan's companions. He, at least, tries to do something, instead of being comedy relief. He must have, what, 3 minutes of screen time? Maybe.

Overall, I feel like Mulan is populated by single-minded husks that sometimes say something funny and hit some notes, while The Iron Giant is a living and breathing world.

Brad Bird, I'm single.

But what do you think?


Mulan: 3/5
The Iron Giant: 5/5

[–] gon@lemm.ee 2 points 10 months ago

Well, that's a complicated question.

On one hand, I do already hang-out with myself basically all the time. I talk to myself a lot and I'm my own wall to throw stuff at.

On the other hand, I'm also very antisocial. I would definitely not enjoy spending this time that I spend with myself with another, physical person.

So, that.

[–] gon@lemm.ee 2 points 10 months ago

Sure, that's fair enough.

[–] gon@lemm.ee 11 points 10 months ago (3 children)

This post is so thoroughly confusing to me.

Charge your car at home, of course! That's what makes them so good! You can charge them on regular outlets, but you can also get a thing installed that makes it faster. No credit card required.

 

OL pogo by ryoshi on Twitter.

 

cross-posted from: https://lemm.ee/post/57576884

There's so many ways to interact with the Fediverse. The most popular, by far, seems to be Mastodon, but Lemmy, Misskey, and Pixelfed are also relatively popular. Kbin used to be popular, but it has apparently been abandoned, and is mostly dead at this point.

I recently learned that Mbin is a thing, checked it out, and it looked really cool! Has anyone used it? How different is it from Lemmy? I hear they have better integration with Mastodon.

What Fediverse services do you actually, regularly use?

For me, it's mostly Lemmy, though I do hop on Mastodon every now and then.

 

cross-posted from: https://lemm.ee/post/57576884

There's so many ways to interact with the Fediverse. The most popular, by far, seems to be Mastodon, but Lemmy, Misskey, and Pixelfed are also relatively popular. Kbin used to be popular, but it has apparently been abandoned, and is mostly dead at this point.

I recently learned that Mbin is a thing, checked it out, and it looked really cool! Has anyone used it? How different is it from Lemmy? I hear they have better integration with Mastodon.

What Fediverse services do you actually, regularly use?

For me, it's mostly Lemmy, though I do hop on Mastodon every now and then.

 

cross-posted from: https://lemm.ee/post/56619187

More than meets the eye, again and again.

At first, things seem quiet and unremarkable. A cliché premise, cliché developments, cliché characters... Actually, things didn't seem quiet and unremarkable at all; Re:Zero seemed boring and uninteresting. More of that ever-pouring slop Japanese webnovels insist on becoming, more of that persistent stench of mediocrity and the unbridled numbness of barren creativity.

Re:Zero is just more of the same old, same old.

At first...

But, at first, even the normal is strange. Even as we're born, we cry. We're confused, lost, terrified as the world that we now take for granted assaults our senses and wrecks our mind and body alike. Voices endless, smells, feelings, all of it is so much---too much! What makes life beautiful aren't the large pieces that we all have in common, but the small distinctions that make us unique. One would assume death is the same, of course.

All one can do is assume death is the same. That is, of course, except for Natsuki Subaru.

Re:Zero throws us into the typical isekai fantasy world---it even tricks us for a bit!---but pretty soon we understand that that's not the case at all. Natsuki Subaru doesn't die. Or rather, he dies and is then reborn. He gets to try again. That's what Re:Zero is about.

What if you could try again? What if your biggest failures were erased and you had a do-over?

As a premise, this is brilliant. It's not the first time I've read a time-travel story with a somewhat similar outline---shout-out to Mother of Learning---but Re:Zero is unique enough from within what I've read to trigger that novelty factor.

The cast is extensive and varied, including several of the traditional isekai tropes while continuously subverting them in some of the most creative ways possible. Even Subaru himself, the MC, is a subversion of the typical isekai MC. He reminds me of Kazuma from KonoSuba, actually, at first.

That's always the point, isn't it? At first, at first, at first... There's always more than meets the eye.

If that was all that Re:Zero was, it would be enough to make for a good story. However, Subaru is faced with the flip-side of his condition: he loses all the good parts too. The pain, the suffering, the despair that dripped from the pages when he loses everything was at times so overwhelming I actually had to take a breather. It's like the Witch's miasma bled through the screen and seeped into my eyes---that's the only reason I cried, of course...

What if you had to choose? What if you could try again, but even then you failed?

The ever-growing pressure of his mistakes digs into your heart and crushes your very soul, I'm telling you. Seeing him come to terms with how much he's lost and watching him gather the courage to keep going... It's beyond fantastic.

My biggest gripes with the novel are the following:

  • The translation is mediocre and littered with errors;
  • Subaru does too much talk no jutsu.

Still, it's not a big deal. I'm used to reading webnovels, so reading a poor translation isn't a significant problem; I just expected more. Subaru's incessant yapping can get frustrating at times, but I can rationalize it by saying that, well, if he dies, he can just try something else. When it works, it's hard to say that that wasn't the best option so... I can't really complain... I just don't like it that much. Let it be known, though, Re:Zero isn't just Subaru's yapsesh; he very much works! He tries, and fails, and tries, and fails, and he tries again. He tries everything he can think of. What I love most, perhaps, is that he doesn't get random power-ups like you see in other series. He gets stronger by failing and learning. He improves slowly by trial and error. It's really satisfying to see him figure things out!

The world is getting more and more complex by the volume, by the chapter, by the page really. By Volume 15, it felt like the world had grown ten-fold, both geographically and lore-wise. It's so complex and enticing with so many mysteries to dive into. I can't wait to learn more.

I mentioned the extensive cast already, but there's really no reason not to bring it up again. There isn't a single character I dislike in this whole thing. There are characters that are very much despicable, yes, but there aren't any of those cliché "bad because they're bad" or "good no matter what" characters. Every character is either extremely complex, with believable and deeply emotional motivations, or simply not developed enough to tell just yet. After all, there's so many characters but only so many pages to talk about them. I don't think that's to the detriment of the narrative in the slightest, though.

Really, the only character I actually have sincere gripes with is Subaru himself! Specifically in regards to his choice of heroine. He's wrong, and I'll stand by that. He's the only character in the whole series whose motivation I question. You'd think this would be a big deal, but it really isn't. He's an idiot, an irredeemable moron. That's what makes his story so compelling: we get to see an irredeemable moron turn into a somewhat redeemable moron, little by little, life by life, death by death.

Is this the greatest masterpiece of the 21st century? The century isn't over just yet, but it's in the running; I'll tell you that much.

What do you think?


Rating: 5/5

Read on Witch Cult Translations!
Disclaimer: I read the Light Novel version of Re:Zero, not the WCT webnovel translation.

 

cross-posted from: https://lemm.ee/post/24567466


Peak romance!

I absolutely loved this show. I've been looking for some nice romance in the past few weeks, and this really hit the spot. It's a classic really, there's a reason this gets recommended every single time anyone asks for romance recs.

The way Lovely Complex explores insecurity is simply beautiful, the constant hesitation, the fear that you might not be enough, and the certainty that begins to come over you as you fail over and over again at achieving your goals. Your fears manifest, a confirmation that your own body, that which you were born with and cannot change, is wrong. But through all that, the persistence of the characters, the way they persevere through these tribulations, is truly inspiring.

The setting is very adolescent, and this is a love comedy so even the most emotional moments are somewhat light-hearted. I think that's good, actually, it keeps the story flowing; the show is incredibly well-paced. I said adolescent, because it is set in high school and that's what the characters life revolve around, but the themes are very mature. I mentioned the insecurity, which the main theme of the show, but many episodes also touch on what it means to be in love, to be in a committed relationship, and what sacrifices one must make to maintain healthy relationships with those they care for.

It's beautiful.

The production quality is top notch, though very much outdated. It's Toei, the animation and music are both great, and the voice acting is fantastic too. Especially Nobu-chan, Higashi Saori might just be the GOAT. I'm not even joking, this was an all time performance by her.

What do you think?


Rating: 5/5

Watch on CrunchyRoll!
Arr🏴‍☠️!!

 

cross-posted from: https://lemm.ee/post/11386693


Beautiful and emotional!

I really liked this show. I was sceptical at first... I think it's very easy for shows that surround something seemingly inconsequential (such as a high-school club) to severely overplay how much people actually care about these things. Hibike! Euphonium did this very well though, from the onset. I guess it's about managing expectations, and what the audience can expect from the characters by showing what the characters expect from each other. I really liked the set up.

I love how distinct each character is too. They have unique personalities and interests, though a bit cliché (the big silent guy, the bubbly girl, the cold beauty). The main character though was just something else. I really, really liked her! I love how she treats the people around her, it felt very human, I think this was just excellent writing. She's cold sometimes and bursting with emotion in the next scene, but it never feels out of place. We really get to explore how she sees the world and what she values in relationships, as well as how much she's willing to sacrifice in her personal life to achieve her goals. I just love Kumiko.

The animation was very good too. I guess that's to be expected from KyoAni. What I really appreciated, as someone who has played in a band for many years (trumpet), is that they didn't try to make the performances magical. A lot of sports and art anime (Haikyu!!, Blue Lock, Blue Period) depict their subject as sort of nigh-magical, with colours flying everywhere and cool names for special moves. Hibike! Euphonium leans more into realism, it doesn't try to make music seem magical, it just lets the music be magical, if that makes sense. I thought it was beautiful; in a way, it's the animation holding back, but it's just really well done.

The music of course was just fantastic. Don't have much to say on this subject in particular, it's a music anime, it has great music. I will say that I loved how much silence there was. Especially before and after an emotional performance, they just let the notes hang, letting the emotion build. Beautiful, I say!

The one criticism I have is that it's very short. It's only 13 episodes, and there's too many loose ends. I WANT MORE!!! Well, there is more of course but it's in the next season, which I haven't gotten to YET. This show is definitely worth a watch.

What do you think?


Rating: 4/5

Watch on CrunchyRoll!
Arr🏴‍☠️!!

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