Typography & fonts

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A community to discuss and share information about typography and fonts

Sibling community:

!typography@lemmy.world

Rules of conduct:

The usual ones on Lemmy and Mastodon. In short: be kind or at least respectful, no offensive language, no harassment, no spam.

(Icon: detail from the title of Bringhurst's Elements of Typographic Style. Banner: details from pages 6 and 12, ibid.)

founded 2 years ago
MODERATORS
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Charcutrie (charcuterie.elastiq.ch)
submitted 5 days ago by cm0002@lemy.lol to c/typography@lemmy.ca
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UTF-8 Playground (utf8-playground.netlify.app)
submitted 1 week ago by cm0002@lemy.lol to c/typography@lemmy.ca
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Datatype is data as type

Datatype is an OpenType variable font that turns simple text expressions into inline charts. No JavaScript, no images, no rendering library — just type the syntax and Datatype's ligature substitution does the rest.

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Font Smuggler (brianmoore.com)
submitted 3 weeks ago by cm0002@suppo.fi to c/typography@lemmy.ca
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rfc-454545.txt (gist.github.com)
submitted 1 month ago* (last edited 1 month ago) by cm0002@libretechni.ca to c/typography@lemmy.ca
 
 

Abstract

This document proposes the Human Em Dash (HED), a Unicode character visually indistinguishable from the traditional em dash (—) but encoded separately for the purpose of indicating probable human authorship. Recent proliferation of automated text generation systems has produced a measurable increase in the frequency and enthusiasm of em dash usage. This trend has created ambiguity for human writers who have historically relied upon the em dash as a stylistic device.

The Human Em Dash standard introduces a new Unicode code point and an associated Human Attestation Mark (HAM) that allows writers to signal that the dash in question originated from a human cognitive process involving hesitation, revision, or mild frustration.

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cross-posted from: https://beehaw.org/post/24468965

Recently some other partic­i­pants in the type-design industry asked me to endorse a letter to the U.S. Copy­right Office about copy­right regis­tra­tions for digital fonts. The impetus was a set of concerns arising from ongoing rejec­tions of font-copy­right regis­tra­tions and a recent opinion in a case called Laatz v. Zazzle pertaining to the infringe­ment of font copy­rights.

I didn’t add my name to the letter. For several reasons. First: I avoid doing free work for bigger compa­nies. Second: I’ve never regis­tered a copy­right in my fonts, so the rele­vance seemed faint. Third: digital fonts (prob­ably) aren’t protected by copy­right, so the whole premise of the effort seemed fatally flawed.

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Typography on Pencils, 1-5. (www.presentandcorrect.com)
submitted 2 months ago* (last edited 2 months ago) by cm0002@no.lastname.nz to c/typography@lemmy.ca
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