millie

I take back my previous comment about you trying to be an ally. This attitude is hostile to trans people. Wake the fuck up.

This is not okay.

If you are an ally, as I think you at least want to be, this can't be the response. You did, in fact, respond to a post about trans visibility with a long rambling post about yourself. The response to being told that this isn't the place for it was again, egocentric defensiveness.

An ally who is an ally until they're challenged at which point they wave their ally flag around in indignation is not an ally. What you're doing here is using other people's queerness, people who are not you, to push back against queer people daring to challenge your unconsidered sense of entitlement to queer spaces and identity.

Do you realize how common this is? Do you know how many people will casually make a transphobic joke and then chew out trans people who take exception to it while insisting that they have trans friends so it's okay? You deigning to be friends with trans people doesn't mean you should stop listening to trans people.

It's not okay. You can do better.

I don't know why this would be surprising to anyone. These people will try to spout this shit in spaces that aren't specifically catering to them, why would the spaces that are not be completely inundated?

I feel like the idea that art is "remixing" is a bit of an imprecise explanation that often leads people to think that when artists create similar works they're basing the one on the other.

Take music as an example. Let's say you've got a standard 6-string guitar fretted for 12 tone even temperament. If you take one string and explore all the relationships between the notes, you're going to independently discover things about intervals, scales, and modes without necessarily learning any of the terminology, theory, or history associated with any particular cultural context. Your ear will show you that a major scale sounds one way and a minor scale sounds another without going into it knowing which is which. You'll notice that when you play 0, 2, 4, 5 it sounds uplifting, and when you play 0, 2, 3, 5 it can sound a little more sorrowful.

When you discover a double harmonic scale, it's going to naturally have elements that sound similar to the Mayamalavagowla raga and the Bhairav raga even if you have never heard a single note of Indian music. You didn't have to conjure up these elements to try to sound like music based on these ragas, because the elements are preexisting. You could play these scales on the other side of the galaxy with no knowledge of Earth and the mathematical relationships at play between the frequencies would remain.

The same is true of melodies within a scale. The intervals of notes push and pull in different directions and give a feeling of wanting to land somewhere while taking a route that feels right. If you play around with an E minor scale long enough, you're probably going to eventually play the first five notes in a way that sounds a lot like the chorus from "I Was Made For Lovin' You" just by playing around with runs. It doesn't matter if you've never heard the song or aren't aware of KISS, it's right there on the fretboard. Assuming that those notes coming out of your strings is specifically tied to one song or one band ignores the fact that whoever wrote that song also had to discover that arrangement of preexisting intervals on a preexisting scale. In this particular case it's just a run back and forth from 1-5, pretty simple. That also extends to other relationships between intervals, because the notes come with weight and an accompanying feeling that pushes them toward some sort of outcome.

I think for people who don't play an instrument, this isn't always intuitive. Part of the same hump that can make it difficult for someone to get into music in the first place can contribute to this outlook too. If they think they have to plan every note and aren't aware of the process of playing by feeling, it seems calculated rather than organic. You certainly can calculate every step, but playing music doesn't require it and neither do many other forms of art.

Obviously we also learn from the art around us, so it's not as though we're learning in a total vacuum. Part of why a note feels like it makes sense to go in a direction is because of learned context. Take Nirvana, for example. If you grew up on Nirvana, it may feel more obvious to include what might otherwise have been counterintuitive intervals that someone who's never listened to anything but 18th century Western European music might find jarring. Or more generally, if you are used to a musical tradition that's informed by blues somewhere in its history, you're probably more likely to have a positive visceral reaction to the use of blue notes in the right context.

But that still doesn't necessarily mean just xeroxing pieces of genres and slapping them together. It informs what you feel about your organic exploration of music. There may be elements that are explicitly and intentionally borrowed, but I don't think that's the primary reason we see these similarities.

Similarities exist because creating art is an organic process informed by physical law, our bodies, and the tools we use, and because the process is taking place on the same planet and often in the same or similar contexts as other pieces of art.

If I were still in school and running into this problem I'd be recording my text editor. Alternately, I do think you can use Google docs to look at edit history if you enable it when sharing a document. Fuck dumbing down your own writing. Put some em dashes in there and make them skim through a 4 hour video if they complain.

Where is this? I set up my piefed blahaj account and have spent like the past 3 hours blocking communities after setting up filters that should already be blocking those communities.

It is an absolute slog trying to get a feed that isn't all just depressing or toxic shit.

Lemmy is toxic as fuck. Decentralization is a good thing, but it doesn't magically fix social media.

Honestly if I remembered what I did to have something to poke at before Lemmy I'd probably just do that. It's a mostly unenjoyable compulsion at this point. The whole thing seems to be just childish bickering and depression bait.

This all day.

I think one if the big things that people miss is that while it may be the most prominent fights in the headlines, there are countless little fights going on all the time and they have a huge impact. They don't make national news or sometimes even local news, but they still matter. It's easy to dismiss them, but they still move the overton window and they still have a substantial impact on the day to day lives of people across the country. Every union steward in some small retail chain standing up to management makes an impact. Every judge who stands up for the rights of marginalized people makes an impact. Every city councilor who votes to fund programs for people in need. Every volunteer who shows up day after day to soup kitchens and food banks. Everybody who stops to give a few bucks to a person on the street. Everyone who sees someone struggling and takes the time to try to lift them up. Every advocate who spends their time helping people who are trying to find a way out of horrible situations.

The less visible stuff is much more wide-spread and makes a huge difference, maybe even more of a difference in many cases, than the big visible stuff.

It honestly drives me up a wall when people who seem like they never go out and connect with the real world around them spend so much time ranting about how everyone's screwed and nobody's doing anything about it. All they have to do is look outside or step outside themselves and lend someone, anyone a hand.

I'm specifically talking about an exploitable vector that can be taken advantage by any number of people or organizations, so it's not really about particular users. There are examples, to be sure, but pointing them out or accusing them of working for anyone in particular would be counter-productive. Not only would it distract from the subject at hand, but they can literally make an infinite number of sock-puppets so it doesn't really matter unless you feel like playing an absolutely exhausting and fruitless game of whack-a-mole.

I'm seeking to illustrate the behavioral pattern, the weakness that it exploits, and the damage it can do, which I expect to have much more efficacious results.

Oh. Welp. At least it reduces their engagement.

It could also be AI generated responses with similar prompts. Or a call center with specific guidelines for tone and content. Or some sort of remote platform with guidelines for posting. I know there are call centers full of scammers and the same was true of bot-farm employees at some point, probably still.

It is pretty fascinating. But yeah, the odds of ever getting a real answer are pretty low unless there's some sort of whistleblower.

But hey, I bet said whistleblower could start a pretty profitable career in independent investigative journalism if they did provide that information to the right people, or if they self-published successfully. Just a thought, if such a person happens to be reading this!

A lot of them are probably literally the same person.