Sauvandu60

Propaganda & Co argue that Palestinians should be allowed to describe their oppressions that make Jews feelings uncomfortable.

https://odysee.com/Don%27t-Say-Jew---Propaganda-Co:c

“Containers carrying Israeli exports are unloaded at transit ports, supposedly by mistake,” he said. “There are acts of sabotage that no one talks about.”

https://archive.ph/I2ZdD

Indonesia arrested Palestinian activist Abdul Karim Raed Miqdad and deported him to Cyprus in under 24 hours on an Interpol notice, with no evidence ever disclosed. The Geneva Council for Rights and Liberties warns the move may be a prelude to handing him to Israel.

In this video, creator BadEmpanada examines the history and function of MEMRI TV (Middle East Media Research Institute), arguing that it serves as a tool for Israeli propaganda by disseminating cherry-picked, decontextualized, and often poorly translated media from the Arab and Muslim world (0:00 - 4:31).

Key takeaways include:

• Mechanism of Propaganda: BadEmpanada explains that MEMRI relies on the ignorance of Western audiences regarding the Middle East and plays into existing negative stereotypes to frame Palestinians and their supporters as irrational, barbaric, or extremist (4:31 - 15:44).
• The 'Vibe Shift' Post-October 7th: The video argues that since October 7, 2023, traditional pro-Israel narratives have lost their effectiveness. Due to the proliferation of social media and direct imagery from the Gaza conflict, the public is now more aware of the realities on the ground, causing previous propaganda tactics—like those used by MEMRI—to fall flat or even backfire (15:44 - 23:03).
• Rebuttal of Nick Crowley: The video includes a critique of a 2022 video by popular YouTuber Nick Crowley regarding the Palestinian children's show Tomorrow’s Pioneers. BadEmpanada contends that while Crowley framed the show as sinister indoctrination, it actually reflects the grim reality of Palestinian children living under occupation and military violence. The video highlights that Crowley has since unlisted his video, acknowledging that he had inadvertently participated in pro-Israel propaganda (23:03 - 48:44).

Conclusion: The creator concludes that the era of traditional Zionist propaganda is effectively dead, as increased global awareness has made it much harder to manipulate public perception of the conflict (48:44 - 53:18).

This video features Max Blumenthal of The Grayzone interviewing the anonymous director of Explosive Media, an Iranian animation studio known for producing viral, politically charged Lego videos. The conversation explores how this team utilizes satire and media techniques to critique American policy and global political narratives.

Key Highlights of the Interview:

• Reverse Engineering Propaganda: The director explains that his team (a group of about 10, including researchers and psychologists) reverse engineers US media operations by studying their tactics and "American diet" of media to turn those same concepts back against US narratives (4:06 - 4:41).
• The Choice of Lego: Using Lego as a visual medium serves two purposes: it acts as a universal language to convey concepts more easily, and it lowers the intensity of violent war imagery, making it less overwhelming for the audience (8:10 - 8:33).
• Messaging Strategy: The studio focuses its content on American audiences rather than Israeli leadership, believing that the American public is more receptive to engagement and potential change. The director notes that they purposefully use provocative labels, such as calling Donald Trump a "loser," because they understand how such language affects his personality (6:51 - 7:11, 13:42 - 14:48).
• Motivation and Mentality: The director describes a shift in his own worldview following the assassination of Qassem Soleimani, which he calls a "fatal mistake" by the Trump administration. He notes that this event inspired a period of intense study and a move toward media activism as a way to defend Iran against censorship and foreign pressure (11:47 - 12:28).
• Future Projects: The team is currently researching a new animated documentary focused on the US embassy in Iran during the Pahlavi era, intending to examine the history of the "den of espionage" and the events surrounding its closure (18:46 - 20:02).

✅ The Truth About The MOU ✅ Lebanon & Gaza ✅ Strait of Hormuz Plans ✅ Iran’s Planned Response

This interview reveals Iran’s position and plans.

dipos-lintas dari: https://lemmy.ml/post/50128205

In this video, creator OhNoItsAlexx discusses the growing concerns surrounding the gaming industry's shift toward an all-digital future, particularly focusing on PlayStation's plans to move away from physical discs by 2028.

Key themes discussed:

• The Illusion of Ownership: The creator argues that gaming companies, pundits, and journalists are trying to shift the conversation away from the loss of physical media and toward Digital Rights Management (DRM). He contends this is a strategic move to push gamers into a "walled garden" where they have no true ownership of their content (1:51 - 3:36).
• Contradicting Corporate Claims: The video challenges statements made by former PlayStation executive Gordon Thornton, who claimed Sony does not control digital pricing structures. The creator highlights a 2021 class action lawsuit that suggests Sony established a monopoly on digital sales to control retail pricing, effectively eliminating competition (5:59 - 8:46).
• The Necessity of Physical Media: Alex emphasizes that for console gamers, physical media remains the only way to bypass the restrictive "walled garden" ecosystems. He contrasts this with his experience as a PC gamer, noting that open platforms allow for DRM-free options like GOG (13:17 - 13:48).
• The Future of Gaming: The creator warns that the ultimate goal for these companies is a transition to cloud-based streaming, where users will have even less control over their library and hardware (14:07 - 14:26).
• The Rise of Preservation: Despite industry pushback, the creator highlights how quickly the community is responding through advancements in emulation, such as early reports of PS5 games booting on PC, signaling that gamers are determined to preserve their content regardless of corporate policies (16:11 - 17:25).

In this video, creator OhNoItsAlexx discusses the growing concerns surrounding the gaming industry's shift toward an all-digital future, particularly focusing on PlayStation's plans to move away from physical discs by 2028.

Key themes discussed:

• The Illusion of Ownership: The creator argues that gaming companies, pundits, and journalists are trying to shift the conversation away from the loss of physical media and toward Digital Rights Management (DRM). He contends this is a strategic move to push gamers into a "walled garden" where they have no true ownership of their content (1:51 - 3:36).
• Contradicting Corporate Claims: The video challenges statements made by former PlayStation executive Gordon Thornton, who claimed Sony does not control digital pricing structures. The creator highlights a 2021 class action lawsuit that suggests Sony established a monopoly on digital sales to control retail pricing, effectively eliminating competition (5:59 - 8:46).
• The Necessity of Physical Media: Alex emphasizes that for console gamers, physical media remains the only way to bypass the restrictive "walled garden" ecosystems. He contrasts this with his experience as a PC gamer, noting that open platforms allow for DRM-free options like GOG (13:17 - 13:48).
• The Future of Gaming: The creator warns that the ultimate goal for these companies is a transition to cloud-based streaming, where users will have even less control over their library and hardware (14:07 - 14:26).
• The Rise of Preservation: Despite industry pushback, the creator highlights how quickly the community is responding through advancements in emulation, such as early reports of PS5 games booting on PC, signaling that gamers are determined to preserve their content regardless of corporate policies (16:11 - 17:25).

Text from the image :

The best logical fallacy to give an atheist when discussing morals is to ask them why it's morally wrong to have intercourse with roadkill

It's dead it will not feel anything, nobody will know and there are no victims

If you ask a Christian or Buddhist why it's morally wrong, they will tell you it's because the body retains inherent dignity as part of God's creation (or the sacred flow of life), and desecrating it violates divine/natural order, harms your soul/karma, and shows disrespect, even if no one feels it or knows

An atheistic worldview of this question taken to its extreme, concludes that intercourse with roadkill is tantamount to masturbation and nothing more

Source : https://nitter.net/RnaudBertrand/status/2073404032790753492

The funeral procession was attended by millions of people and official delegations from other countries including KSA, Qatar, Pakistan, Afghanistan, Turkey, Iraq, Lebanon, Russia etc.

Summary by Brave Leo AI :

Sony announced that starting in January 2028, it will cease selling new physical game discs for PlayStation, a move that has sparked significant controversy among fans concerned about game preservation and ownership. While the article acknowledges the emotional value of physical collections, it argues that discs are an obsolete and fragile medium that cannot keep up with the massive storage demands of modern games, many of which exceed the 100GB capacity of the highest-tier Blu-ray disc and require extensive day-one downloads. The piece highlights that the industry has already shifted overwhelmingly toward digital, with 78% of sales now digital compared to just 13% in 2013, driven by the impracticality of storing large files on discs and the higher production costs associated with physical media. Ultimately, the author suggests that rather than trying to preserve this "dying medium," the gaming community should focus on forcing companies like Sony to improve digital consumer rights, ensuring licenses remain stable and ownership is respected, similar to the model used by PC storefronts like GOG.