Poems

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1
 
 

Kids Who Die

This is for the kids who die,
Black and white,
For kids will die certainly.
The old and rich will live on awhile,
As always,
Eating blood and gold,
Letting kids die.

Kids will die in the swamps of Mississippi
Organizing sharecroppers.
Kids will die in the streets of Chicago
Organizing workers.
Kids will die in the orange groves of California
Telling others to get together.
Whites and Filipinos,
Negroes and Mexicans,
All kinds of kids will die
Who don't believe in lies, and bribes, and contentment
And a lousy peace.

Of course, the wise and the learned
Who pen editorials in the papers,
And the gentlemen with Dr. in front of their names.
White and black,
Who make surveys and write books.
Will live on weaving words to smother the kids who die,
And the sleazy courts,
And the bribe-reaching police,
And the blood-loving generals,
And the money-loving preachers
Will all raise their hands against the kids who die,
Beating them with laws and clubs and bayonets and bullets
To frighten the people—
For the kids who die are like iron in the blood of the people—
And the old and rich don't want the people
To taste the iron of the kids who die,
Don't want the people to get wise to their own power,
To believe an Angelo Herndon, or even get together.

Listen, kids who die—
Maybe, now, there will be no monument for you
Except in our hearts
Maybe your bodies'll be lost in a swamp.
Or a prison grave, or the potter's field,
Or the rivers where you're drowned like Leibknecht.
But the day will come—
You are sure yourselves that it is coming—
When the marching feet of the masses
Will raise for you a living monument of love,
And joy, and laughter,
And black hands and white hands clasped as one,
And a song that reaches the sky—

The song of the life triumphant
Through the kids who die.

2
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submitted 18 hours ago* (last edited 17 hours ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Jerusalem

And did those feet in ancient time
Walk upon Englands mountains green:
And was the holy Lamb of God,
On Englands pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold:
Bring me my arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my sword sleep in my hand:
Till we have built Jerusalem,
In Englands green & pleasant Land.

3
 
 

Speaking To You (From Rock Bottom)

Speaking to you
this hour
these days when
I have lost the feather of poetry
and the rains
of separation
surround us tock
tock like Go tablets

Everyone has learned
to move carefully

'Dancing' 'laughing' 'bad taste'
is a memory
a tableau behind trees of law

In the midst of love for you
my wife's suffering
anger in every direction and the children wise
as tough shrubs
but they are not tough --so I fear
how anything can grow from this

all the wise blood
poured from little cuts
down into the sink

this hour it is not your body I want
but your quiet company

4
 
 

Cinderella is about a girl so alone she turned to drugs, she took the mdma she found from her sisters bag one day and suddenly felt happy got the first time.

She got all dressed up and had the best night of her life, even caught the eye of a wealthy prince. But things changed…

Before long, her reality started coming back to her. She didn’t feel so pretty or free anymore…

Fairy godmother’s don’t exist 🧚 🎃 🐎

5
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submitted 1 month ago* (last edited 1 month ago) by hayyy@thelemmy.club to c/poems@reddthat.com
 
 

I live on my grandmother’s land

She sees what I see, what I do… There’s no hiding from her. But I want to (?)

She works hard everyday in ways I never could, I owe her so much

She’s the ultimate woman, the true mother nurturer, Or is it some illusion I’ve convinced myself of?

I need to see others as good and myself as bad, She’s all I wish I could be, I wonder if she ever feels the same about me…

There’s no escaping family, I need her more than I’m willing to admit

Cut the cord and let’s be free, But will that shatter the perfect image?

Im not sure I’m ready for that To see things for what they truly are

Are you an Angel or something entirely different

Im confused Are you too?

Am I the crazy one or is it you?

I wonder what it’s like, To be you.

Sometimes I think if/when you die I’ll finally get some of your charm, morbid thought but probably not. I can’t see my life without you in it. With you dead and gone. We’re one and the same. I think maybe my life is like your death.

I’m so hungry so I stuff my face but it doesn’t work, I need what you’ve got but I’m no where near as smart as you or is that just another silly excuse?

So comfortable so complacent so familiar. It’s like a trap.

Give up my soul to let yours shine through my eyes

I’m doing you a favour as you do me. Where’s the grey?

I can’t truly be comfortable here, in my soul. Are you?

Maybe I’m meant to live vicariously through you, Forget about my own life

6
 
 

Beautiful

She was born from an egg,
a daughter of the gods,
divinely fair, a pearl, drop-dead
gorgeous, beautiful, a peach,
a child of grace, a stunner, in her face
the starlike sorrows of immortal eyes.
Who looked there, loved.

She won the heart
of every man she saw.
They stood in line, sighed,
knelt, beseeched Be Mine.
She married one,
but every other mother’s son
swore to be true to her
till death, enchanted
by the perfume of her breath,
her skin’s celebrity.

So when she took a lover, fled,
was nowhere to be seen,
her side of the bed unslept in, cold,
the small coin of her wedding ring
left on the bedside table like a tip,
the wardrobe empty
of the drama of her clothes,
it was War.
A thousand ships —
on every one a thousand men,
each heaving at an oar,
each with her face
before his stinging eyes,
her name tattooed
upon the muscle of his arm,
a handkerchief she’d dropped once
for his lucky charm,
each seeing her as a local girl
made good, the girl next door,
a princess with the common touch,
queen of his heart, pin-up, superstar,
the heads of every coin he’d tossed,
the smile on every note he’d bet at cards —
bragged and shoved across a thousand miles of sea.

Meanwhile, lovely she lay high up
in a foreign castle’s walls, clasped
in a hero’s brawn, loved and loved
and loved again, her cries
like the bird of calamity’s,
drifting down to the boys at the gates
who marched now to the syllables of her name.

Beauty is fame. Some said
she turned into a cloud
and floated home,
falling there like rain, or tears,
upon her husband’s face.
Some said her lover woke
to find her gone,
his sword and clothes gone too,
before they sliced a last grin in his throat.
Some swore they saw her smuggled
on a boat dressed as a boy,
rowed to a ship which slid away at dusk,
beckoned by the finger of the moon.
Some vowed that they were in the crowd
that saw her hung, stared up at her body
as it swung there on the creaking rope,
and noticed how the black silk of her dress
clung to her form, a stylish shroud.

Her maid, who loved her most,
refused to say one word
to anyone at any time or place,
would not describe
one aspect of her face
or tell one anecdote about her life and loves.

But lived alone
and kept a little bird inside a cage.


She never aged.
She sashayed up the river
in a golden barge,
her fit girls giggling at her jokes.
She’d tumbled from a rug at Caesar’s feet,
seen him kneel to pick her up
and felt him want her as he did.
She had him gibbering in bed by twelve.
But now, she rolled her carpet on the sand,
put up her crimson tent, laid out
silver plate with grapes and honey, yoghurt,
roasted songbirds, gleaming figs, soft wines,
and soaked herself in jasmine-scented milk.

She knew her man. She knew that when
he stood that night, ten times her strength,
inside the fragrant boudoir of her tent,
and saw her wrapped in satins like a gift,
his time would slow to nothing, zilch,
until his tongue could utter in her mouth.
She reached and pulled him down
to Alexandria, the warm muddy Nile.

Tough beauty. She played with him
at dice, rolled sixes in the dust,
cleaned up, slipped her gambling hand
into his pouch and took his gold, bit it,
Caesar’s head between her teeth.
He crouched with lust. On her couch,
she lay above him, painted him,
her lipstick smeared on his mouth,
her powder blushing on his stubble,
the turquoise of her eyes over his lids.
She matched him glass for glass
in drinking games: sucked lemons, licked
at salt, swallowed something from a bottle
where a dead rat floated, gargled doubles
over trebles, downed a liquid fire in one,
lit a coffee bean in something else, blew it,
gulped, tipped chasers down her throat,
pints down her neck, and held her drink
until the big man slid beneath the table, wrecked.

She watched him hunt. He killed a stag.
She hacked the heart out, held it,
dripping, in the apron of her dress.
She watched him exercise in arms.
His soldiers marched, eyes right, her way.

She let her shawl slip down to show
her shoulders, breasts, and every man
that night saw them again and prayed
her name. She waved him off to war,
then pulled on boy’s clothes, crept
at dusk into his camp, his shadowed tent,
touched him, made him fuck her as a lad.
He had no choice, upped sticks,
downed tools, went back with her,
swooned on her flesh for months,
her fingers in his ears, her kiss
closing his eyes, her stories blethering
on his lips: of armies changing sides,
of cities lost forever in the sea, of snakes.


The camera loved her, close-up, back-lit,
adored the waxy pouting of her mouth,
her sleepy, startled gaze. She breathed
the script out in her little voice. They filmed her
famous, filmed her beautiful. Guys fell
in love, dames copied her. An athlete
licked the raindrops from her fingertips
to quench his thirst. She married him.
The US whooped.

They filmed her harder, harder, till her hair
was platinum, her teeth gems, her eyes
sapphires pressed by a banker’s thumb.
She sang to camera one, gushed
at the greased-up lens, her skin investors’ gold,
her fingernails mother-of-pearl, her voice
champagne to sip from her lips. A poet came,
found her wondrous to behold. She married him.
The whole world swooned.

Dumb beauty. She slept in an eye-mask, naked,
drugged, till the maid came, sponged
at her puffy face, painted the beauty on in beige,
pinks, blues. Then it was coffee, pills, booze,
Frank on the record-player, it was put on the mink,
get in the studio car. Somebody big was watching her —
white fur, mouth at the mike, under the lights. Happy
Birthday to you. Happy Birthday, Mr President.
The audience drooled.

They filmed on, deep, dumped what they couldn’t use
on the cutting-room floor, filmed more, quiet please,
action, cut, quiet please, action, cut, quiet please,
action, cut, till she couldn’t die when she died,
couldn't get older, ill, couldn't stop saying the lines
or singing the tunes. The smoking cop who watched
as they zipped her into the body-bag noticed
her strong resemblance to herself, the dark roots
of her pubic hair.


Dead, she’s elegant bone
in mud, ankles crossed,
knees clamped, hands clasped,
empty head. You know her name.

Plain women turned in the streets
where her shadow fell, under
her spell, swore that what she wore
they’d wear, coloured their hair.

The whole town came
to wave at her on her balcony,
to stare and stare and stare.
Her face was surely a star.

Beauty is fate. They gaped
as her bones danced
in a golden dress in the arms
of her wooden prince, gawped

as she posed alone
in front of the Taj Mahal,
betrayed, beautifully pale.
The cameras gibbered away.

Act like a fucking princess —
how they loved her,
the men from the press —
Give us a smile, cunt.

And her blue eyes widened
to take it all in: the flashbulbs,
the half-mast flags, the acres of flowers,
History’s stinking breath in her face.

7
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submitted 2 months ago* (last edited 2 months ago) by AnnaFrankfurter@lemmy.ml to c/poems@reddthat.com
 
 

Pain has an element of blank;
It cannot recollect When it began, or if there were A day when it was not.
It has no future but itself,
Its infinite realms contain Its past, enlightened to perceive New periods of pain.

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submitted 2 months ago* (last edited 2 months ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Grant them removed, and grant that this your noise
Hath chid down all the majesty of England;
Imagine that you see the wretched strangers,
Their babies at their backs and their poor luggage,
Plodding to th’ ports and costs for transportation,
And that you sit as kings in your desires,
Authority quite silent by your brawl,
And you in ruff of your opinions clothed;
What had you got? I’ll tell you: you had taught
How insolence and strong hand should prevail,
How order should be quelled; and by this pattern
Not one of you should live an aged man,
For other ruffians, as their fancies wrought,
With self same hand, self reasons, and self right,
Would shark on you, and men like ravenous fishes
Would feed on one another.

You’ll put down strangers,
Kill them, cut their throats, possess their houses,
And lead the majesty of law in line,
To slip him like a hound. Say now the king
(As he is clement, if th’ offender mourn)
Should so much come to short of your great trespass
As but to banish you, whether would you go?
What country, by the nature of your error,
Should give you harbor? go you to France or Flanders,
To any German province, to Spain or Portugal,
Nay, any where that not adheres to England,—
Why, you must needs be strangers: would you be pleased
To find a nation of such barbarous temper,
That, breaking out in hideous violence,
Would not afford you an abode on earth,
Whet their detested knives against your throats,
Spurn you like dogs, and like as if that God
Owed not nor made not you, nor that the claimants
Were not all appropriate to your comforts,
But chartered unto them, what would you think
To be thus used? this is the strangers case;
And this your mountainish inhumanity.

9
 
 

Buddy Caesar and His Starlighter

Everything’s going up in smoke.
Lake Island’s oaks hug mid-
summer’s chemical sunset,
a slow rusty Philadelphia burn
burring dusty treetops, first stars
coming on, and thee neighborhood
turns out, kings and queens
in beach chairs, other unfurred
creatures on blankets, or in trees,
all eyes on the hopping crowd
before the bandstand, hard-
pedaling In the Mood then Cherokee.
Buddy cues slurpy trombones
and even the fatter no-no’s rise
and shuffle to the dancing ground,
oly style jitterbugs spiking dirt
at the century’s end. I’m off to the side,
taking things in, I’ve learned to do that,
to watch, to smile at the fire, but now
this flutter-tongue solo breaks me down,
dust spanks sandals, mules, and sneaks,
start divot whiter int he blacker blue,
time feels round and I’m in it,
with twilights’s jumpy dago sounds,
awake now, swinging with a stranger.

10
 
 

To the Memory of My Beloved, the Author Mr. William Shakespeare

and What He Hath Left Us

To draw no envy, Shakespeare, on they name,
 Am I thus ample to thy book, and fame,
While I confess thy writings to be such
 As neither Man nor Muse can praise too much.
’Tis true, and all men’s suffrage. But these ways
 Were not the paths I meant unto thy praise:
For seeliest ignorance on these may light,
 Which, when it sounds at best, but echoes right;
Or blind affection, which doth ne’er advance
 The truth, but gropes, and urgeth all by chance;
Or crafty malice might pretend this praise,
 And think to ruin, where it seemed to raise.
These are, as some infamous bawd or whore
 Should praise a matron; what could hurt her more?
But thou art proof against them, and indeed,
 Above th' ill fortune of them, or the need.
I therefore will begin. Soul of the age!
 The applause, delight, the wonder of our stage!
My Shakespeare, rise! I will not lodge thee by
 Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
 Thou art a monument without a tomb,
And art alive still while thy book doth live
 And we have wits to read and praise to give.
That I not mix thee so, my brain excuses,
 I mean with great, but disproportion'd Muses,
For if I thought my judgment were of years,
 I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
 Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
 From thence to honour thee, I would not seek
For names; but call forth thund'ring Aeschylus,
 Euripides and Sophocles to us;
Paccuvius, Accius, him of Cordova dead,
 To life again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
 Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
 Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
 To whom all scenes of Europe homage owe.
He was not of an age but for all time!
 And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
 Our ears, or like a Mercury to charm!
Nature herself was proud of his designs
 And joy'd to wear the dressing of his lines,
Which were so richly spun, and woven so fit,
 As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
 Neat Terence, witty Plautus, now not please,
But antiquated and deserted lie,
 As they were not of Nature's family.
Yet must I not give Nature all: thy art,
 My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
 His art doth give the fashion; and, that he
Who casts to write a living line, must sweat,
 (Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same
 (And himself with it) that he thinks to frame,
Or, for the laurel, he may gain a scorn;
 For a good poet's made, as well as born;
And such wert thou. Look how the father's face
 Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
 In his well-turned, and true-filed lines;
In each of which he seems to shake a lance,
 As brandish'd at the eyes of ignorance.
Sweet Swan of Avon! what a sight it were
 To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
 That so did take Eliza and our James!
But stay, I see thee in the hemisphere
 Advanc'd, and made a constellation there!
Shine forth, thou star of poets, and with rage
 Or influence, chide or cheer the drooping stage;
Which, since thy flight from hence, hath mourn'd like night,
 And despairs day, but for thy volume's light.

11
 
 

I Go Out On The Road Alone

Alone I set out on the road;
The flinty path is sparkling in the mist;
The night is still. The desert harks to God,
And star with star converses.

The vault is overwhelmed with solemn wonder
The earth in cobalt aura sleeps. . .
Why do I feel so pained and troubled?
What do I harbor: hope, regrets?

I see no hope in years to come,
Have no regrets for things gone by.
All that I seek is peace and freedom!
To lose myself and sleep!

But not the frozen slumber of the grave...
I'd like eternal sleep to leave
My life force dozing in my breast
Gently with my breath to rise and fall;

By night and day, my hearing would be soothed
By voices sweet, singing to me of love.
And over me, forever green,
A dark oak tree would bend and rustle.

12
 
 

Dream

Two slats in the fence
two roots in the forest
two trees bow down
before a figure.

In the back, the ditch,
an enclosure on the right.
The clearing appears
at the bend in the path.

Before me the meadows,
before me a brightness.
But whence comes
this familiar place ?

Two roots in the wood
two slats in the fence,
two trees bear witness
in the dream's Violence.

13
 
 

The British Poem

Take some Picts, Celts and Silures
And let them settle,
Then overrun them with Roman conquerors.

Remove the Romans after approximately 400 years
Add lots of Norman French to some
Angles, Saxons, Jutes and Vikings, then stir vigorously.

Mix some hot Chileans, cool Jamaicans, Dominicans,
Trinidadians and Bajans with some Ethiopians, Chinese,
Vietnamese and Sudanese.

Then take a blend of Somalians, Sri Lankans, Nigerians
And Pakistanis,
Combine with some Guyanese
And turn up the heat.

Sprinkle some fresh Indians, Malaysians, Bosnians,
Iraqis and Bangladeshis together with some
Afghans, Spanish, Turkish, Kurdish, Japanese
And Palestinians
Then add to the melting pot.

Leave the ingredients to simmer.

As they mix and blend allow their languages to flourish
Binding them together with English.

Allow time to be cool.

Add some unity, understanding, and respect for the future,
Serve with justice
And enjoy.

Note: All the ingredients are equally important. Treating one ingredient better than another will leave a bitter unpleasant taste.

Warning: An unequal spread of justice will damage the people and cause pain. Give justice and equality to all.

14
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submitted 3 months ago* (last edited 3 months ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Park On The Hudson

Fishers fish quietly on roads
    In the world.
Drivers drive blindly on roads
    Around the world.
Children run, mothers call,
Golden is the world.
A loving pair passes by,
Sometimes through the world.

Fishers fish quietly on rivers
    Untl the sun sets.
Drivers drive blindly on paths
    Swiftly toward death.
Children, blissful in the sun,
Play at eternity.
Sometimes a pair passes by,
With them goes the time.

Fishers fish quietly on rivers—
    Lonely hangs the rod.
Drivers drive blindly on path
    Restless for rest.
Children play, mothers call,
Eternity, almost—
A loving pair passes by,
Bearing the burden of Time.

15
 
 

Renegade

To Arthur Chamberlain

But all that now is over.
Dreamers of dreams shall not in me discover
Fallen remembrances of Holy Land;
Looks in mine eyes, that seem to understand
A banished secret; in my common mien,
A charmed communion with high things unseen

For all that now is over.
Mere merchant of earth’s market-place, no lover,
I keep the dusty, trodden road of all.
Though broken echoes fill the mart, and call
Back to my silent memories: down chill air
They die away, and leave me to my care.

Since all that now is over,
And not at any cost can I recover
The abdicated throne, the abandoned crown:
I sit me at the heart of the vast town,
To wear old love looks down to the dull look,
Befitting love unthought on, or forsook.

16
 
 

Well In Ruined Courtyard

Down this old well
what leaves have fallen,
what cores of eaten apples,
what scraps of paper!
An old trash barrel.
November, no one comes.

But I come, trying
to breathe that word
which should make the leaves fly up
like a green jet
to clothe the naked tree,
the whole fruit leap to the bough,
the scraps like fleets of letters
sail up into my hands.

17
 
 

What Kind of Times Are These

There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread, but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it's necessary
to talk about trees.

18
 
 

Mon pays

Mon pays ce n'est pas un pays, c'est l'hiver
Mon jardin ce n'est pas un jardin, c'est la plaine
Mon chemin ce n'est pas un chemin, c'est la neige
Mon pays ce n'est pas un pays, c'est l'hiver

Dans la blanche cérémonie
Où la neige au vent se marie
Dans ce pays de poudrerie
Mon père a fait bâtir maison

Et je m'en vais être fidèle
À sa manière, à son modèle
La chambre d'amis sera telle
Qu'on viendra des autres saisons
Pour se bâtir à côté d'elle

Mon pays ce n'est pas un pays, c'est l'hiver
Mon refrain ce n'est pas un refrain, c'est rafale
Ma maison ce n'est pas ma maison, c'est froidure
Mon pays ce n'est pas un pays, c'est l'hiver

De mon grand pays solitaire
Je crie avant que de me taire
À tous les hommes de la terre
Ma maison c'est votre maison
Entre mes quatre murs de glace
Je mets mon temps et mon espace
À préparer le feu, la place
Pour les humains de l'horizon
Et les humains sont de ma race

Mon pays ce n'est pas un pays, c'est l'hiver
Mon jardin ce n'est pas un jardin, c'est la plaine
Mon chemin ce n'est pas un chemin, c'est la neige
Mon pays ce n'est pas un pays, c'est l'hiver

Mon pays ce n'est pas un pays, c'est l'envers
D'un pays qui n'était ni pays ni patrie
Ma chanson ce n'est pas une chanson, c'est ma vie
C'est pour toi que je veux posséder mes hivers

19
 
 

The Lowering

The flag is folded
lengthwise, and lengthwise again,
folding toward the open edge,
so that the union of stars on the blue
field remains outward in full view;
a triangular folding is then begun
at the striped end,
by bringing the corner of the folded edge
to the open edge;
the outer point, turned inward along the open edge,
forms the next triangular fold:
the folding continued so, until the end is reached,
the final corner tucked between
the folds of the blue union,
the form of the folded flag is found to resemble that
of a 3-cornered pouch, or thick cocked hat.

Take this flag, John Glenn, instead of a friend;
instead of a brother, Edward Kennedy, take this flag;
instead of a father, Joe Kennedy, take this flag;
this flag instead of a husband, Ethel Kennedy, take this flag;
this 9-times-folded red-white-striped, star-spotted-blue flag,
tucked and pocketed neatly,
Nation, instead of a leader, take this folded flag.
Robert Kennedy, coffin without coverlet,
beside this hole in the grass,
beside your brother, John Kennedy,
in the grass,
take, instead of a country,
this folded flag;
Robert Kennedy, take this
hole in the grass.

Notes:

Arlington Cemetery
June 8, 1968

20
 
 

Eagle Poem

To pray you open your whole self
To sky, to earth, to sun, to moon
To one whole voice that is you.
And know there is more
That you can’t see, can’t hear;
Can’t know except in moments
Steadily growing, and in languages
That aren’t always sound but other
Circles of motion.
Like eagle that Sunday morning
Over Salt River. Circled in blue sky
In wind, swept our hearts clean
With sacred wings.
We see you, see ourselves and know
That we must take the utmost care
And kindness in all things.
Breathe in, knowing we are made of
All this, and breathe, knowing
We are truly blessed because we
Were born, and die soon within a
True circle of motion,
Like eagle rounding out the morning
Inside us.
We pray that it will be done
In beauty.
In beauty.

21
 
 

This Is the Dark Time My Love

This is the dark time, my love,
All round the land brown beetles crawl about.
The shining sun is hidden in the sky
Red flowers bend their heads in awful sorrow.

This is the dark time, my love,
It is the season of oppression, dark metal, and tears.
It is the festival of guns, the carnival of misery.
Everywhere the faces of men are strained and anxious.

Who comes walking in the dark night time?
Whose boot of steel tramps down the slender grass?
It is the man of death, my love, the strange invader
Watching you sleep and aiming at your dream.

22
 
 

The Way Through the Woods

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate
(They fear not men in the woods,
Because there are so few),
You will hear the beat of a horse’s feet
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods …
But there is no road through the woods!

23
 
 

Goblin Market

Morning and evening
Maids heard the goblins cry:
“Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck’d cherries,
Melons and raspberries,
Bloom-down-cheek’d peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;—
All ripe together
In summer weather,—
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.”

Evening by evening
Among the brookside rushes,
Laura bow’d her head to hear,
Lizzie veil’d her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
“Lie close,” Laura said,
Pricking up her golden head:
“We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?”
“Come buy,” call the goblins
Hobbling down the glen.

“Oh,” cried Lizzie, “Laura, Laura,
You should not peep at goblin men.”
Lizzie cover’d up her eyes,
Cover’d close lest they should look;
Laura rear’d her glossy head,
And whisper’d like the restless brook:
“Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.”
“No,” said Lizzie, “No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.”
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat’s face,
One whisk’d a tail,
One tramp’d at a rat’s pace,
One crawl’d like a snail,
One like a wombat prowl’d obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretch’d her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turn’d and troop’d the goblin men,
With their shrill repeated cry,
“Come buy, come buy.”
When they reach’d where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One rear’d his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav’d the golden weight
Of dish and fruit to offer her:
“Come buy, come buy,” was still their cry.
Laura stared but did not stir,
Long’d but had no money:
The whisk-tail’d merchant bade her taste
In tones as smooth as honey,
The cat-faced purr’d,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried “Pretty Goblin” still for “Pretty Polly;”—
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
“Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.”
“You have much gold upon your head,”
They answer’d all together:
“Buy from us with a golden curl.”
She clipp’d a precious golden lock,
She dropp’d a tear more rare than pearl,
Then suck’d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow’d that juice;
She never tasted such before,
How should it cloy with length of use?
She suck’d and suck’d and suck’d the more
Fruits which that unknown orchard bore;
She suck’d until her lips were sore;
Then flung the emptied rinds away
But gather’d up one kernel stone,
And knew not was it night or day
As she turn’d home alone.

Lizzie met her at the gate
Full of wise upbraidings:
“Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck’d from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.”
“Nay, hush,” said Laura:
“Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;” and kiss’d her:
“Have done with sorrow;
I’ll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.”

Golden head by golden head,
Like two pigeons in one nest
Folded in each other’s wings,
They lay down in their curtain’d bed:
Like two blossoms on one stem,
Like two flakes of new-fall’n snow,
Like two wands of ivory
Tipp’d with gold for awful kings.
Moon and stars gaz’d in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapp’d to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock’d together in one nest.

Early in the morning
When the first cock crow’d his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch’d in honey, milk’d the cows,
Air’d and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn’d butter, whipp’d up cream,
Fed their poultry, sat and sew’d;
Talk’d as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day’s delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck’d purple and rich golden flags,
Then turning homeward said: “The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.”
But Laura loiter’d still among the rushes
And said the bank was steep.

And said the hour was early still
The dew not fall’n, the wind not chill;
Listening ever, but not catching
The customary cry,
“Come buy, come buy,”
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, “O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?”

Laura turn’d cold as stone
To find her sister heard that cry alone,
That goblin cry,
“Come buy our fruits, come buy.”
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop’d from the root:
She said not one word in her heart’s sore ache;
But peering thro’ the dimness, nought discerning,
Trudg’d home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash’d her teeth for baulk’d desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
“Come buy, come buy;”—
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax’d bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew’d it with tears, hoped for a root,
Watch’d for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream’d of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown’d trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetch’d honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister’s cankerous care
Yet not to share.
She night and morning
Caught the goblins’ cry:
“Come buy our orchard fruits,
Come buy, come buy;”—
Beside the brook, along the glen,
She heard the tramp of goblin men,
The yoke and stir
Poor Laura could not hear;
Long’d to buy fruit to comfort her,
But fear’d to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seem’d knocking at Death’s door:
Then Lizzie weigh’d no more
Better and worse;
But put a silver penny in her purse,
Kiss’d Laura, cross’d the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laugh’d every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,—
Hugg’d her and kiss’d her:
Squeez’d and caress’d her:
Stretch’d up their dishes,
Panniers, and plates:
“Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and suck them,
Pomegranates, figs.”—

“Good folk,” said Lizzie,
Mindful of Jeanie:
“Give me much and many: —
Held out her apron,
Toss’d them her penny.
“Nay, take a seat with us,
Honour and eat with us,”
They answer’d grinning:
“Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.”—
“Thank you,” said Lizzie: “But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss’d you for a fee.”—
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call’d her proud,
Cross-grain’d, uncivil;
Their tones wax’d loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbow’d and jostled her,
Claw’d with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil’d her stocking,
Twitch’d her hair out by the roots,
Stamp’d upon her tender feet,
Held her hands and squeez’d their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood,—
Like a rock of blue-vein’d stone
Lash’d by tides obstreperously,—
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire,—
Like a fruit-crown’d orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,—
Like a royal virgin town
Topp’d with gilded dome and spire
Close beleaguer’d by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff’d and caught her,
Coax’d and fought her,
Bullied and besought her,
Scratch’d her, pinch’d her black as ink,
Kick’d and knock’d her,
Maul’d and mock’d her,
Lizzie utter’d not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh’d in heart to feel the drip
Of juice that syrupp’d all her face,
And lodg’d in dimples of her chin,
And streak’d her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick’d their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh’d into the ground,
Some div’d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish’d in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro’ the furze,
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse,—
Its bounce was music to her ear.
She ran and ran
As if she fear’d some goblin man
Dogg’d her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she prick’d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, “Laura,” up the garden,
“Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeez’d from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.”

Laura started from her chair,
Flung her arms up in the air,
Clutch’d her hair:
“Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin’d in my ruin,
Thirsty, canker’d, goblin-ridden?”—
She clung about her sister,
Kiss’d and kiss’d and kiss’d her:
Tears once again
Refresh’d her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss’d and kiss’d her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loath’d the feast:
Writhing as one possess’d she leap’d and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks stream’d like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins, knock’d at her heart,
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense fail’d in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topp’d waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watch’d by her,
Counted her pulse’s flagging stir,
Felt for her breath,
Held water to her lips, and cool’d her face
With tears and fanning leaves:
But when the first birds chirp’d about their eaves,
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bow’d in the morning winds so brisk to pass,
And new buds with new day
Open’d of cup-like lilies on the stream,
Laura awoke as from a dream,
Laugh’d in the innocent old way,
Hugg’d Lizzie but not twice or thrice;
Her gleaming locks show’d not one thread of grey,
Her breath was sweet as May
And light danced in her eyes.

Days, weeks, months, years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat
But poison in the blood;
(Men sell not such in any town):
Would tell them how her sister stood
In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands
Would bid them cling together,
“For there is no friend like a sister
In calm or stormy weather;
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands.”

24
 
 

At the Crossroads

A voice called. I went.

I went, for it called.

I went, lest I fall.

At the crossroads

I blocked both ears with white frost

And cried

For what I had lost.

25
 
 

The Princess: Come down, O Maid

Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang)
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow—cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean—headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water—smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro’ the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.

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