Poems

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A community to link to or copy and paste poems. It is not complicated.

Formatting help: two blank spaces at the end of a line will show you the path in the edit window

most certainly learning the Unicode markdown labels for spacing

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ensp

emsp

and how to activate them for your or someone else's poetry.

if a poem's language settings make it at all difficult to mod i'm deleting it.

founded 2 years ago
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1
 
 

Kids Who Die

This is for the kids who die,
Black and white,
For kids will die certainly.
The old and rich will live on awhile,
As always,
Eating blood and gold,
Letting kids die.

Kids will die in the swamps of Mississippi
Organizing sharecroppers.
Kids will die in the streets of Chicago
Organizing workers.
Kids will die in the orange groves of California
Telling others to get together.
Whites and Filipinos,
Negroes and Mexicans,
All kinds of kids will die
Who don't believe in lies, and bribes, and contentment
And a lousy peace.

Of course, the wise and the learned
Who pen editorials in the papers,
And the gentlemen with Dr. in front of their names.
White and black,
Who make surveys and write books.
Will live on weaving words to smother the kids who die,
And the sleazy courts,
And the bribe-reaching police,
And the blood-loving generals,
And the money-loving preachers
Will all raise their hands against the kids who die,
Beating them with laws and clubs and bayonets and bullets
To frighten the people—
For the kids who die are like iron in the blood of the people—
And the old and rich don't want the people
To taste the iron of the kids who die,
Don't want the people to get wise to their own power,
To believe an Angelo Herndon, or even get together.

Listen, kids who die—
Maybe, now, there will be no monument for you
Except in our hearts
Maybe your bodies'll be lost in a swamp.
Or a prison grave, or the potter's field,
Or the rivers where you're drowned like Leibknecht.
But the day will come—
You are sure yourselves that it is coming—
When the marching feet of the masses
Will raise for you a living monument of love,
And joy, and laughter,
And black hands and white hands clasped as one,
And a song that reaches the sky—

The song of the life triumphant
Through the kids who die.

2
 
 

The One Hundred Years of Solitude of Chinese Poetry

About your poetry –
I'm guessing it adapts to the environment
better than you do.
It's avoided the problem of inheritance.

Digesting its food, it's like swaying corn,
asleep, it's like a pregnant wild dog.
Out for a stroll, it's a stream flowing
past the plaque-like railroad bridge.

It fires language
because language takes work too seriously.
It slaps the customer. It pulls off
The condom of prosody. It reveals impossibility.

It's like a wooden spoon in a non-stick pan
commanding the peas' undeclared war.
These peas are round and plump
but still aren't words.

About the relationship between you and me,
your poetry is an unrented house.
Right now the scene is so empty
it's like a ring picked out somewhere else.

Along the wall, at least it brings out sponge gourds
like those I bought at the morning market, fresh and tender,
clever enough for erotic stories.
It is the life inside of life.

It's astonished by the number of times you've returned.
I try my best not to ask where you've been.
This poem is yours.
Yes, for a moment, it almost seemed not your writing.

3
 
 

The Dark is Rising

When the Dark comes rising, six shall turn it back;
Three from the circle, three from the track;
Wood, bronze, iron; water, fire, stone;
Five will return, and one go alone.

Iron for the birthday, bronze carried long;
Wood from the burning, stone out of song;
Fire in the candle-ring, water from the thaw;
Six Signs the circle, and the grail gone before.

Fire on the mountain shall find the harp of gold
Played to wake the Sleepers, oldest of the old;
Power from the Greenwitch, lost beneath the sea;
All shall find the light at last, silver on the tree.

On the day of the dead, when the year too dies,
Must the youngest open the oldest hills
Through the door of the birds, where the breeze breaks.
There fire shall fly from the raven boy,
And the silver eyes that see the wind,
And the Light shall have the harp of gold.

By the pleasant lake the Sleepers lie,
On Cadfael’s Way where the kestrels call;
Though grim from the Grey King shadows fall,
Yet singing the golden harp shall guide
To break their sleep and bid them ride.

When light from the lost land shall return,
Six Sleepers shall rise, six Signs shall burn,
And where the midsummer tree grows tall
By Pendragon’s sword the Dark shall fall.

4
 
 

Kinder than Man

And God
please let the deer
on the highway
get some kind of heaven.
Something with tall soft grass
and sweet reunion.
Let the moths in porch lights
go someplace
with a thousand suns,
that taste like sugar
and get swallowed whole.
May the mice
in oil and glue
have forever dry, warm fur
and full bellies.
If I am killed
for simply living,
let death be kinder
than man.

5
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submitted 2 weeks ago* (last edited 2 weeks ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Ode on a Grecian Urn

Thou still unravish'd bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring'd legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear'd,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy'd,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy'd,
A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st,
"Beauty is truth, truth beauty,--that is all
Ye know on earth, and all ye need to know."

6
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submitted 2 weeks ago* (last edited 2 weeks ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

O Luminous Late Day!

O luminous late day !
The air's enchanted.
The white stork flying by
is half asleep
and the swallows
cross one another—wings
sharp-stretched
to the gold air—
and away
through the benign
distance of evening,
flying, dreaming.

And there is one
returns like the arrow—wings
sharp-stretched
to the sombre air—
bound for the roof
and its black corner there.

The white stork,
like a pot-hook,
tranquil and ungainly
so absurd !
looms on the belfray.

7
 
 

The Game: Christmas Day, 1914

It is so cold.
The lines of this poem are sinking
Into the unforgiving mud. No clean sheet.

Dawn on a perishing day. The weapons freeze
In the hands of a flat back four.
The moon hangs in the air like a ball
Skied by a shivering keeper.
All these boys want to do today
Is shoot, and defend, and attack.

Light on a half-raised wave. The trench-faces
Lifted till you see their breath.
A ball flies in the air like a moon
Kicked through the morning mist.
All these boys want to have today
Is a generous amount of extra time.

No strict formations here, this morning;
No 4-4-2 or 4-5-1
No rules, really. Just a kickabout
With nothing to be won
Except respect. We all showed pictures,
I learned his baby’s name.
Now clear the lines of this poem
And let’s get on with the game.

No white penalty spot, this morning,
The players are all unknown.
You can see them in the graveyards In teams of forgotten stone;
The nets are made of tangled wire,
No Man’s Land is the pitch,
A flare floodlights the moments
Between the dugouts and the ditch.

A hundred winters ago sky opened
To the sunshine of the sun
Shining on these teams of players
And the sounds of this innocent game.
All these boys want to hear today
Is the final whistle. Let them walk away.

It has been so cold. The lines
Of these poems will be found, written
In the unforgotten mud like a team sheet.
Remember them. Read them again.

8
 
 

To a New Librarian Who Thinks I Don’t Write Poetry

Poets come in many shapes

Tall, lanky girls dressed in drapes;

Moon-round ladies who rhyme;

Well-worn gents wearing chaps;

And sexy ladies who sit on laps

Writing sonnets, and love poems,

And the one poem everyone

Reads out at funerals.

There are white-haired poets who farm;

Curly-haired poets who alarm

The ladies, and howl at the moon.

Poets who dance, and poets who can’t;

And poets who stand at the podium and rant;

Poets who use no capital letters;

And poets who write around the edges of the page.

I knew a poet once who wrote

Between the lines on his palm

Though today he’d probably write

On a palm-pilot instead.

Why do you think I don’t write poetry?

Am I the wrong shape, the wrong age,

The wrong size, the wrong gender,

Or have you just not gotten down to the Ys yet?

9
 
 

War Machines Dress Up as Drag Queens

after Audre Lorde

There are many roots.

War machines are coin-operated arcade games,
and your penny sprays and juvenile plays
are just as greedy as a bulldozer's mouth
chewing life into debris for me to dish-wash and make poetry of.

War machines wear lipstick, carry bedazzled purses, and wave
  hellohowareyou?
vogue on said debris / pink faucets. If you ignore the rubble,
this is a haven––its earth is flesh, brown and uncounted.

War machines are American-made, and they are never thirsty / rivers in their throats.
American water is brown and dirtied and children famished,
cracked, caged in cages, / in uneducated education.
Surf their boats in drought. Their knuckles stiff, cold is this verse.

I sit here wondering:

Which me will survive bulldozers undoing God?
Which me will soak their hands in these wells?
Which me will console the dead's loved ones with prevention, not mourning,
bottle our Jordan River to smack American thirst,
for greed and grief.
Water     stolen or neglected.

Which me will survive all these liberations?

10
 
 

after Jordan Edwards

Out of the soft and approaching night may we unfold our gentlest selves
coming to dusk with honey and mint in the mouth
something left behind their heart for me
to find on my walk today
tiny and purring

and at eve's soft hearkening upon my still knuckles
always a ghost of a sparrow finds the cups of my grace
or me a sparrow
in the ghost's cupped hands

last night at sunset and with the dead petals hugging the tires
it looked like the street was on fire

Saturday's flowers work hard for a living
they wait for me outside the front door every morning
even in the rain

and again
in the evening even in the dark

in the dream we were lions

and so none of that which was lion could eat us

and in another dream we were lions and that which was not lion
didn't hunt us
and in anther dream we were lions and so beautiful

in all the dreams

and when we were awake too
even in the rain
and again in the evening
and again in the dark

11
 
 

Please Use AI

Be sure to use AI when making
your next, I don’t know, meal plan,
for example. Definitely do not call
your friend who loves to cook and ask her
for her favorite recipes or tips or ways
to save time making meals,
because you will end
up talking for longer than you had hoped,
hearing, perhaps, about her father’s cancer
diagnosis or how lonely she’s been or even
what she’s planted in her spring
garden and then lost with the early frost.

And be sure to use AI when planning that next
camping trip, the last one you will take
with this particular child. Definitely do
not text your friend who has fly-fished every
river in Pennsylvania and biked every
backwoods trail, because you might end
up texting back and forth for the rest of the day
or even meeting up late for a beer and hearing
how he has ended each recent night black-out
drunk, or perhaps you’ll hear how his
cousin is an idiot on Facebook or maybe just
that he repaired his own washing machine
and is pretty damn proud of that.

And be sure to use AI when your next child
gets married, so that you can write them
the perfect toast or poem or speech or song
because no one wants to hear your
words, the actual poorly written words
of a parent (you) who changed
hundreds of diapers for said child or fed
them in the middle of the
night from your actual body. Or cried
when they were late home because
you were positive they were dead. We don't
want those words—we’d prefer the sterile
words of a machine that never lived, never
had an original thought, never felt
the pain of miscarriage or broken
relationships or the joy of a friendship restored
or of seeing spring’s first
robin dancing on frost.

And be sure to use AI when working on your next
book or essay or piece of art or photography,
and then smile or even laugh at your own
cleverness when you see how good it is,
and how easy,
because who the hell has time
to work at something, to give time to craft, to
create with their own minds, to spend
years being mediocre. Why do that when
mastery, or at least competency
is so simple
only a good prompt away?

How magnificent
the funeral song our children or contemporaries
will write for us, a song they will make by
taking our obituary and Facebook posts,
plus random quotes from our algorithm,
and feeding them into Chat
or Gemini
or Claude.
The tears that will fall in the face of such
sanitary sweetness!

Be sure to use AI

and while you do I’ll be over here in my 50th
year, my youngest daughter asleep on my chest,
my arm falling asleep because I dare not move
lest I scare away this moment,
lying here melancholy about my older
children moving out and my middle
children no longer needing me, at least
not like they used to, weary about this body
that fails me now in ever increasing ways
that will never be restored. Sighing
over stories I tried to write but never hit
the page the way they felt in my mind.

But isn’t that, my flesh-and-blood friend,
the natural order of things?

the longing for something that could always be
a bit better

or the way that anything
worth doing feels a bit clumsy and painful,
especially at first

or hearing another human voice and somehow
realizing the beauty of life is found in all of these
subtle imperfections

12
 
 

PROMESA 2: CHIMAYÓ, NEW MEXICO

The tree of life rises above the pocito,
wherein the earth—tunneled with strange injury.
I pin a heart to your holy name
and feed my blood, my bandage,
to the green roots of the mountain.
A miracle appendaged—
vision in the cure of wilderness,
its profound herb, grown solitary.

13
 
 

The Hollow Men

Mistah Kurtz - he dead.

A penny for the Old Guy

I.

We are the hollow men
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other kingdom
Remember us - if at all - not as lost
Violent souls, but only
As the hollow men
The stuffed men.

II.

Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer -

Not that final meeting
In the twilight kingdom

III.

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

IV.

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of this tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.

V.

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but with a whimper.

14
 
 

Dulce et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

15
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submitted 2 months ago* (last edited 2 months ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Jerusalem

And did those feet in ancient time
Walk upon Englands mountains green:
And was the holy Lamb of God,
On Englands pleasant pastures seen!

And did the Countenance Divine,
Shine forth upon our clouded hills?
And was Jerusalem builded here,
Among these dark Satanic Mills?

Bring me my Bow of burning gold:
Bring me my arrows of desire:
Bring me my Spear: O clouds unfold!
Bring me my Chariot of fire!

I will not cease from Mental Fight,
Nor shall my sword sleep in my hand:
Till we have built Jerusalem,
In Englands green & pleasant Land.

16
 
 

Speaking To You (From Rock Bottom)

Speaking to you
this hour
these days when
I have lost the feather of poetry
and the rains
of separation
surround us tock
tock like Go tablets

Everyone has learned
to move carefully

'Dancing' 'laughing' 'bad taste'
is a memory
a tableau behind trees of law

In the midst of love for you
my wife's suffering
anger in every direction and the children wise
as tough shrubs
but they are not tough --so I fear
how anything can grow from this

all the wise blood
poured from little cuts
down into the sink

this hour it is not your body I want
but your quiet company

17
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Cinderella (thelemmy.club)
submitted 4 months ago by hayyy@thelemmy.club to c/poems@reddthat.com
 
 

Cinderella is about a girl so alone she turned to drugs, she took the mdma she found from her sisters bag one day and suddenly felt happy got the first time.

She got all dressed up and had the best night of her life, even caught the eye of a wealthy prince. But things changed…

Before long, her reality started coming back to her. She didn’t feel so pretty or free anymore…

Fairy godmother’s don’t exist 🧚 🎃 🐎

18
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submitted 4 months ago* (last edited 4 months ago) by hayyy@thelemmy.club to c/poems@reddthat.com
 
 

I live on my grandmother’s land

She sees what I see, what I do… There’s no hiding from her. But I want to (?)

She works hard everyday in ways I never could, I owe her so much

She’s the ultimate woman, the true mother nurturer, Or is it some illusion I’ve convinced myself of?

I need to see others as good and myself as bad, She’s all I wish I could be, I wonder if she ever feels the same about me…

There’s no escaping family, I need her more than I’m willing to admit

Cut the cord and let’s be free, But will that shatter the perfect image?

Im not sure I’m ready for that To see things for what they truly are

Are you an Angel or something entirely different

Im confused Are you too?

Am I the crazy one or is it you?

I wonder what it’s like, To be you.

Sometimes I think if/when you die I’ll finally get some of your charm, morbid thought but probably not. I can’t see my life without you in it. With you dead and gone. We’re one and the same. I think maybe my life is like your death.

I’m so hungry so I stuff my face but it doesn’t work, I need what you’ve got but I’m no where near as smart as you or is that just another silly excuse?

So comfortable so complacent so familiar. It’s like a trap.

Give up my soul to let yours shine through my eyes

I’m doing you a favour as you do me. Where’s the grey?

I can’t truly be comfortable here, in my soul. Are you?

Maybe I’m meant to live vicariously through you, Forget about my own life

19
 
 

Beautiful

She was born from an egg,
a daughter of the gods,
divinely fair, a pearl, drop-dead
gorgeous, beautiful, a peach,
a child of grace, a stunner, in her face
the starlike sorrows of immortal eyes.
Who looked there, loved.

She won the heart
of every man she saw.
They stood in line, sighed,
knelt, beseeched Be Mine.
She married one,
but every other mother’s son
swore to be true to her
till death, enchanted
by the perfume of her breath,
her skin’s celebrity.

So when she took a lover, fled,
was nowhere to be seen,
her side of the bed unslept in, cold,
the small coin of her wedding ring
left on the bedside table like a tip,
the wardrobe empty
of the drama of her clothes,
it was War.
A thousand ships —
on every one a thousand men,
each heaving at an oar,
each with her face
before his stinging eyes,
her name tattooed
upon the muscle of his arm,
a handkerchief she’d dropped once
for his lucky charm,
each seeing her as a local girl
made good, the girl next door,
a princess with the common touch,
queen of his heart, pin-up, superstar,
the heads of every coin he’d tossed,
the smile on every note he’d bet at cards —
bragged and shoved across a thousand miles of sea.

Meanwhile, lovely she lay high up
in a foreign castle’s walls, clasped
in a hero’s brawn, loved and loved
and loved again, her cries
like the bird of calamity’s,
drifting down to the boys at the gates
who marched now to the syllables of her name.

Beauty is fame. Some said
she turned into a cloud
and floated home,
falling there like rain, or tears,
upon her husband’s face.
Some said her lover woke
to find her gone,
his sword and clothes gone too,
before they sliced a last grin in his throat.
Some swore they saw her smuggled
on a boat dressed as a boy,
rowed to a ship which slid away at dusk,
beckoned by the finger of the moon.
Some vowed that they were in the crowd
that saw her hung, stared up at her body
as it swung there on the creaking rope,
and noticed how the black silk of her dress
clung to her form, a stylish shroud.

Her maid, who loved her most,
refused to say one word
to anyone at any time or place,
would not describe
one aspect of her face
or tell one anecdote about her life and loves.

But lived alone
and kept a little bird inside a cage.


She never aged.
She sashayed up the river
in a golden barge,
her fit girls giggling at her jokes.
She’d tumbled from a rug at Caesar’s feet,
seen him kneel to pick her up
and felt him want her as he did.
She had him gibbering in bed by twelve.
But now, she rolled her carpet on the sand,
put up her crimson tent, laid out
silver plate with grapes and honey, yoghurt,
roasted songbirds, gleaming figs, soft wines,
and soaked herself in jasmine-scented milk.

She knew her man. She knew that when
he stood that night, ten times her strength,
inside the fragrant boudoir of her tent,
and saw her wrapped in satins like a gift,
his time would slow to nothing, zilch,
until his tongue could utter in her mouth.
She reached and pulled him down
to Alexandria, the warm muddy Nile.

Tough beauty. She played with him
at dice, rolled sixes in the dust,
cleaned up, slipped her gambling hand
into his pouch and took his gold, bit it,
Caesar’s head between her teeth.
He crouched with lust. On her couch,
she lay above him, painted him,
her lipstick smeared on his mouth,
her powder blushing on his stubble,
the turquoise of her eyes over his lids.
She matched him glass for glass
in drinking games: sucked lemons, licked
at salt, swallowed something from a bottle
where a dead rat floated, gargled doubles
over trebles, downed a liquid fire in one,
lit a coffee bean in something else, blew it,
gulped, tipped chasers down her throat,
pints down her neck, and held her drink
until the big man slid beneath the table, wrecked.

She watched him hunt. He killed a stag.
She hacked the heart out, held it,
dripping, in the apron of her dress.
She watched him exercise in arms.
His soldiers marched, eyes right, her way.

She let her shawl slip down to show
her shoulders, breasts, and every man
that night saw them again and prayed
her name. She waved him off to war,
then pulled on boy’s clothes, crept
at dusk into his camp, his shadowed tent,
touched him, made him fuck her as a lad.
He had no choice, upped sticks,
downed tools, went back with her,
swooned on her flesh for months,
her fingers in his ears, her kiss
closing his eyes, her stories blethering
on his lips: of armies changing sides,
of cities lost forever in the sea, of snakes.


The camera loved her, close-up, back-lit,
adored the waxy pouting of her mouth,
her sleepy, startled gaze. She breathed
the script out in her little voice. They filmed her
famous, filmed her beautiful. Guys fell
in love, dames copied her. An athlete
licked the raindrops from her fingertips
to quench his thirst. She married him.
The US whooped.

They filmed her harder, harder, till her hair
was platinum, her teeth gems, her eyes
sapphires pressed by a banker’s thumb.
She sang to camera one, gushed
at the greased-up lens, her skin investors’ gold,
her fingernails mother-of-pearl, her voice
champagne to sip from her lips. A poet came,
found her wondrous to behold. She married him.
The whole world swooned.

Dumb beauty. She slept in an eye-mask, naked,
drugged, till the maid came, sponged
at her puffy face, painted the beauty on in beige,
pinks, blues. Then it was coffee, pills, booze,
Frank on the record-player, it was put on the mink,
get in the studio car. Somebody big was watching her —
white fur, mouth at the mike, under the lights. Happy
Birthday to you. Happy Birthday, Mr President.
The audience drooled.

They filmed on, deep, dumped what they couldn’t use
on the cutting-room floor, filmed more, quiet please,
action, cut, quiet please, action, cut, quiet please,
action, cut, till she couldn’t die when she died,
couldn't get older, ill, couldn't stop saying the lines
or singing the tunes. The smoking cop who watched
as they zipped her into the body-bag noticed
her strong resemblance to herself, the dark roots
of her pubic hair.


Dead, she’s elegant bone
in mud, ankles crossed,
knees clamped, hands clasped,
empty head. You know her name.

Plain women turned in the streets
where her shadow fell, under
her spell, swore that what she wore
they’d wear, coloured their hair.

The whole town came
to wave at her on her balcony,
to stare and stare and stare.
Her face was surely a star.

Beauty is fate. They gaped
as her bones danced
in a golden dress in the arms
of her wooden prince, gawped

as she posed alone
in front of the Taj Mahal,
betrayed, beautifully pale.
The cameras gibbered away.

Act like a fucking princess —
how they loved her,
the men from the press —
Give us a smile, cunt.

And her blue eyes widened
to take it all in: the flashbulbs,
the half-mast flags, the acres of flowers,
History’s stinking breath in her face.

20
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submitted 4 months ago* (last edited 4 months ago) by AnnaFrankfurter@lemmy.ml to c/poems@reddthat.com
 
 

Pain has an element of blank;
It cannot recollect When it began, or if there were A day when it was not.
It has no future but itself,
Its infinite realms contain Its past, enlightened to perceive New periods of pain.

21
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submitted 4 months ago* (last edited 4 months ago) by TheReturnOfPEB@reddthat.com to c/poems@reddthat.com
 
 

Grant them removed, and grant that this your noise
Hath chid down all the majesty of England;
Imagine that you see the wretched strangers,
Their babies at their backs and their poor luggage,
Plodding to th’ ports and costs for transportation,
And that you sit as kings in your desires,
Authority quite silent by your brawl,
And you in ruff of your opinions clothed;
What had you got? I’ll tell you: you had taught
How insolence and strong hand should prevail,
How order should be quelled; and by this pattern
Not one of you should live an aged man,
For other ruffians, as their fancies wrought,
With self same hand, self reasons, and self right,
Would shark on you, and men like ravenous fishes
Would feed on one another.

You’ll put down strangers,
Kill them, cut their throats, possess their houses,
And lead the majesty of law in line,
To slip him like a hound. Say now the king
(As he is clement, if th’ offender mourn)
Should so much come to short of your great trespass
As but to banish you, whether would you go?
What country, by the nature of your error,
Should give you harbor? go you to France or Flanders,
To any German province, to Spain or Portugal,
Nay, any where that not adheres to England,—
Why, you must needs be strangers: would you be pleased
To find a nation of such barbarous temper,
That, breaking out in hideous violence,
Would not afford you an abode on earth,
Whet their detested knives against your throats,
Spurn you like dogs, and like as if that God
Owed not nor made not you, nor that the claimants
Were not all appropriate to your comforts,
But chartered unto them, what would you think
To be thus used? this is the strangers case;
And this your mountainish inhumanity.

22
 
 

Buddy Caesar and His Starlighter

Everything’s going up in smoke.
Lake Island’s oaks hug mid-
summer’s chemical sunset,
a slow rusty Philadelphia burn
burring dusty treetops, first stars
coming on, and thee neighborhood
turns out, kings and queens
in beach chairs, other unfurred
creatures on blankets, or in trees,
all eyes on the hopping crowd
before the bandstand, hard-
pedaling In the Mood then Cherokee.
Buddy cues slurpy trombones
and even the fatter no-no’s rise
and shuffle to the dancing ground,
oly style jitterbugs spiking dirt
at the century’s end. I’m off to the side,
taking things in, I’ve learned to do that,
to watch, to smile at the fire, but now
this flutter-tongue solo breaks me down,
dust spanks sandals, mules, and sneaks,
start divot whiter int he blacker blue,
time feels round and I’m in it,
with twilights’s jumpy dago sounds,
awake now, swinging with a stranger.

23
 
 

To the Memory of My Beloved, the Author Mr. William Shakespeare

and What He Hath Left Us

To draw no envy, Shakespeare, on they name,
 Am I thus ample to thy book, and fame,
While I confess thy writings to be such
 As neither Man nor Muse can praise too much.
’Tis true, and all men’s suffrage. But these ways
 Were not the paths I meant unto thy praise:
For seeliest ignorance on these may light,
 Which, when it sounds at best, but echoes right;
Or blind affection, which doth ne’er advance
 The truth, but gropes, and urgeth all by chance;
Or crafty malice might pretend this praise,
 And think to ruin, where it seemed to raise.
These are, as some infamous bawd or whore
 Should praise a matron; what could hurt her more?
But thou art proof against them, and indeed,
 Above th' ill fortune of them, or the need.
I therefore will begin. Soul of the age!
 The applause, delight, the wonder of our stage!
My Shakespeare, rise! I will not lodge thee by
 Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room:
 Thou art a monument without a tomb,
And art alive still while thy book doth live
 And we have wits to read and praise to give.
That I not mix thee so, my brain excuses,
 I mean with great, but disproportion'd Muses,
For if I thought my judgment were of years,
 I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
 Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
 From thence to honour thee, I would not seek
For names; but call forth thund'ring Aeschylus,
 Euripides and Sophocles to us;
Paccuvius, Accius, him of Cordova dead,
 To life again, to hear thy buskin tread,
And shake a stage; or, when thy socks were on,
 Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
 Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
 To whom all scenes of Europe homage owe.
He was not of an age but for all time!
 And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
 Our ears, or like a Mercury to charm!
Nature herself was proud of his designs
 And joy'd to wear the dressing of his lines,
Which were so richly spun, and woven so fit,
 As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
 Neat Terence, witty Plautus, now not please,
But antiquated and deserted lie,
 As they were not of Nature's family.
Yet must I not give Nature all: thy art,
 My gentle Shakespeare, must enjoy a part.
For though the poet's matter nature be,
 His art doth give the fashion; and, that he
Who casts to write a living line, must sweat,
 (Such as thine are) and strike the second heat
Upon the Muses' anvil; turn the same
 (And himself with it) that he thinks to frame,
Or, for the laurel, he may gain a scorn;
 For a good poet's made, as well as born;
And such wert thou. Look how the father's face
 Lives in his issue, even so the race
Of Shakespeare's mind and manners brightly shines
 In his well-turned, and true-filed lines;
In each of which he seems to shake a lance,
 As brandish'd at the eyes of ignorance.
Sweet Swan of Avon! what a sight it were
 To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
 That so did take Eliza and our James!
But stay, I see thee in the hemisphere
 Advanc'd, and made a constellation there!
Shine forth, thou star of poets, and with rage
 Or influence, chide or cheer the drooping stage;
Which, since thy flight from hence, hath mourn'd like night,
 And despairs day, but for thy volume's light.

24
 
 

I Go Out On The Road Alone

Alone I set out on the road;
The flinty path is sparkling in the mist;
The night is still. The desert harks to God,
And star with star converses.

The vault is overwhelmed with solemn wonder
The earth in cobalt aura sleeps. . .
Why do I feel so pained and troubled?
What do I harbor: hope, regrets?

I see no hope in years to come,
Have no regrets for things gone by.
All that I seek is peace and freedom!
To lose myself and sleep!

But not the frozen slumber of the grave...
I'd like eternal sleep to leave
My life force dozing in my breast
Gently with my breath to rise and fall;

By night and day, my hearing would be soothed
By voices sweet, singing to me of love.
And over me, forever green,
A dark oak tree would bend and rustle.

25
 
 

Dream

Two slats in the fence
two roots in the forest
two trees bow down
before a figure.

In the back, the ditch,
an enclosure on the right.
The clearing appears
at the bend in the path.

Before me the meadows,
before me a brightness.
But whence comes
this familiar place ?

Two roots in the wood
two slats in the fence,
two trees bear witness
in the dream's Violence.

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